Free Ebook What to Read and Why, by Francine Prose

Free Ebook What to Read and Why, by Francine Prose

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What to Read and Why, by Francine Prose

Free Ebook What to Read and Why, by Francine Prose

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Review

Praise for What to Read and Why: “What to Read and Why will have readers anxious to revisit these classics.” (Kirkus Reviews)“Prose’s writing sharpens, focuses and [occasionally] even thrills when she writes of the authors who move her most deeply. These essays on their own make the book worth reading and buying; they made me buy a couple of the books she most passionately endorses.”                                                                                                                                 (Wall Street Journal)“Written with warmth, wit, and a keen intellect.” (Library Journal (starred review))

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From the Back Cover

In this brilliant collection, the follow-up to her New York Times bestseller Reading Like a Writer, the distinguished novelist, literary critic, and essayist Francine Prose celebrates the pleasures of reading and pays homage to the works and writers she admires.In an age defined by hyperconnectivity and constant stimulation, here is a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose’s previous essays, reviews, and introductions, combined with new, never-before-published pieces that focus on her favorite works of fiction and nonfiction, on works by masters of the short story, and even on books by photographers such as Diane Arbus.Prose considers why the works of literary masters such as Mary Shelley, Charles Dickens, George Eliot, and Jane Austen have endured, and shares intriguing insights about modern authors whose words stimulate our minds and enlarge our lives, including Roberto Bolaño, Karl Ove Knausgaard, Jennifer Egan, and Mohsin Hamid. Prose implores us to read Mavis Gallant for her marvelously rich and compact sentences and her meticulously rendered characters who reveal our flawed and complex human nature; Edward St. Aubyn for his elegance and sophisticated humor; and Mark Strand for his gift for depicting unlikely transformations. Here, too, are original pieces in which Prose explores the craft of writing: “On Clarity” and “10 Things Art Can Do.”Written with sharp critical analysis, wit, and enthusiasm, What to Read and Why is a celebration of literature that will give readers a new appreciation for the power and beauty of the written word.

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Product details

Hardcover: 336 pages

Publisher: Harper; First Edition, First Printing edition (July 3, 2018)

Language: English

ISBN-10: 0062397869

ISBN-13: 978-0062397867

Product Dimensions:

5.5 x 1.1 x 8.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#238,604 in Books (See Top 100 in Books)

Very interesting

I would love to have been a fly on the wall, overhearing thoughts that led to the choice of WHAT TO READ AND WHY as the title for Francine Prose’s latest collection of literary essays.At first glance, the words seem rather pedantic, cold and even a little bossy. Seriously, what kind of adult reader might pause to pick this one off the shelf? Actually, several kinds, if my own experience has any merit.Perhaps someone lacking confidence in their understanding of literature and wanting to be told what to do (at times, that’s me all over); maybe someone who likes to challenge an expert against their own knowledge (occasionally me); or someone whose curiosity won’t let them walk on by without taking a peek to see where such confident cover words came from (me, just about every day).This time, being new to Francine Prose, I am firmly and gratefully in the last category. For those who have previously tasted the surprising and often arresting variety of her nearly 30 fiction, nonfiction and young adult works, WHAT TO READ AND WHY will be taken on well-earned trust.I found myself completely convinced of that trust after only a few of Prose’s 33 chapters --- an exquisitely curated collection of previously published critical essays, with a couple of new ones added for good measure. Which brings me back to the title.“What” covers a huge field of literary and even non-literary art, ranging through some three-dozen remarkable individuals spanning well over a century in English-speaking society and beyond.Some names, such as Charles Dickens, Jane Austen, George Eliot, Mary Shelley, Louisa May Alcott and Honoré de Balzac, will be instantly familiar whether one took college lit courses or not. Canadians will feel justly recognized with the inclusion of two of our iconic short story geniuses: Mavis Gallant and Alice Munro.And then there are some two-dozen wonderfully serendipitous choices from the past century to the present day that will open up striking new territories of discovery for even the most diligent reader of contemporary international literature.Names like Gitta Sereny, Mohsin Hamid, Paul Bowles, Karl Ove Knausgaard, Andrea Canobbio, Mark Strand and Reiner Stach (just a random sampling) become much more than a recommended list for niche audiences. This is where I’d be tempted to change Prose’s title to “Who…” because she has such a deft and artful way of sharing the authors as well as their works, evoking a desire to read them instead of a duty to do so.Finally, I could also suggest --- thanks entirely to the originality and depth of each essay --- that WHAT TO READ AND WHY could also be about “How…” for the how of reading harmoniously justifies and nourishes the why.Regardless of the author, context, technique or plot under discussion, Prose gently but persistently argues for reading any worthwhile writing from a place of mindfulness, respect and peace, even vulnerability. Great literature, whether iconic or excitingly unfamiliar, is not a product to be consumed like fast food or superficially touched and then discarded. All too often, we need a humbling reminder of that.As a result of being told WHAT TO READ AND WHY, I can return to classics by Alcott, Dickens, Shelley or Eliot with a new appreciation and look forward to discovering some new (to me) authors --- not people whose work I should read, but people whose work I now want to read.Reviewed by Pauline Finch

Always a favorite of mine (Bigfoot Dreams is one of the novels I go back and reread every few years), I think this book has a great selection of reviews that both help writers understand writing and show off Prose’s style at her best.

Prose is an intellect and is well versed in literature, art and music. She writes well BUTher selections for discussion were obscure and did not tempt me to want to read. There were a few well known classics but many were writers I did not know. She interested me enough so that i plan to read her last book,"Reading Like A Writer."

I enjoyed this book very much.

Don’t know if I will ever finish this book. Tough going - some essays are better than others. Have read most of the books discussed and am not inspired to re-read them. I pre-ordered this book and would have been better off waiting for a ‘sample’ and probably would have not purchased it. May be useful for students who have not read the books?

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