PDF Download Powerhouse: The Untold Story of Hollywood's Creative Artists Agency, by James Andrew Miller

PDF Download Powerhouse: The Untold Story of Hollywood's Creative Artists Agency, by James Andrew Miller

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Powerhouse: The Untold Story of Hollywood's Creative Artists Agency, by James Andrew Miller

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Review

“Powerhouse delivers a chronicle of vaunting ambition, immense wealth and power, and personal betrayal all the more astonishing in a business ostensibly built on loyalty and trust… Even more impressive is Miller’s ability to get nearly everyone involved not only to talk but also go on the record.” (New York Times Book Review)“Magisterial. ... One of the two most important books about the business of entertainment to come out in 2016. ... A must read for anyone who wants to work in Hollywood or just know how Hollywood works.” (The Hollywood Reporter)“It’s dishy. It’s like People Magazine meets ‘The Godfather.’ It’s like nothing else. I ate it up.” (New York Post)“Eminently readable and moves at a fast pace thanks to dozens of fascinating celebrity stories.” (Mashable)“The year’s hottest Hollywood tell-all.” (New York Daily News)“Probably the most hotly anticipated book since Julia Phillips’s tell-all YOU’LL NEVER EAT LUNCH IN THIS TOWN AGAIN dropped more than two decades ago.” (Variety)“[F]un to read both for the boldface names - including agency founders Michael Ovitz and Ron Meyer, and clients like Magic Johnson and Ali MacGraw - and for a glimpse into a largely unseen world of cultural influencers.” (The National Book Review)

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From the Back Cover

NOW UPDATED WITH AN AFTERWORD AND EXCLUSIVE NEW MATERIAL From the #1 bestselling author behind acclaimed oral histories of Saturday Night Live and ESPN comes “the most hotly anticipated book [in decades]” (Variety): James Andrew Miller’s irresistible insider chronicle of the modern entertainment industry, told through the epic story of Creative Artists Agency (CAA)—the ultimate power player that has represented the world’s biggest stars and shaped the landscape of film, television, comedy, music, and sports.Started in 1975, when five bright and brash upstarts left creaky William Morris to form their own innovative talent agency, CAA would come to revolutionize Hollywood, representing everyone from Tom Cruise, Meryl Streep, Robert De Niro, and Steven Spielberg to Jennifer Lawrence, J.J. Abrams, Will Smith, and Brad Pitt. Over the next decades its tentacles would spread aggressively into sports, advertising, and digital media. Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA—including co-founders Michael Ovitz and Ron Meyer and rivals like Ari Emanuel of William Morris Endeavor—as well as the stars themselves, Miller spins a unique and unforgettable tale of brilliance, ambition, betrayal, and outrageous success.

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Product details

Paperback: 768 pages

Publisher: Custom House; Reprint edition (May 16, 2017)

Language: English

ISBN-10: 0062441388

ISBN-13: 978-0062441386

Product Dimensions:

6 x 1.2 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

142 customer reviews

Amazon Best Sellers Rank:

#28,497 in Books (See Top 100 in Books)

This book covers the period from the time that the some of the CAA founders worked at William Morris, how CAA was created, how it functioned in it's long heyday, and how it changed when the Young Turks took over after Ovitz left. If you've never seen the inside of the book or read any excerpts, it is not a narrative by the author; instead, it is a compilation of narratives by the founders of CAA, some of the agents, some actors, the Young Turks, and people on the periphery. If you don't know at least who these people are, this book may be very confusing to read. It does provide an interesting insight into the mindset of agents, how they function, what the job entails, and the "it's-good-to-be-King" philosophy of the major power brokers in Hollywood. Yes, they eat their young for breakfast in that town!Since the narratives are provided by the individuals themselves, I found that there was a lot of back-patting, and "he was so nice", "everybody loved him" etc. etc. etc. That was not genuine and clouded some of the book for me. Come on...this is Hollywood. If you're an agent, and a successful one, you would throw your mother off of a cliff or sell your firstborn to get the best client and/or deal. Having most of the people praise Ovitz when, in reality, he was to the right of Ghengis Khan, was feeble. But I suppose that most of the people in the book are still active in Hollywood so you never burn your bridges - especially in Tinseltown where the powers-that-be NEVER forget ANYTHING.Comments on the Kindle edition: BAD, BAD, BAD.....in what world do booksellers think they can just copy/paste a hardcover into a Kindle versionn?? It doesn't work. The formatting was terrible in many places; there were "bookmarks" already in the book - what's that about? and....there are photos but 99% of the photos are on one page and captions are either on the page before the photo or after the photo. So if you want to know who's-who in the photo to have to keep going back a page or forward to next page. Ugh!!! I find this is an issue with other Kindle versions of books and it astounds me that we can land a man on the moon but someone can't spend the time to format a hardcover book into a reader-version.

It's packed full of insider points of view. So it's very interesting in that respect. However, that positive comes at the cost of a rather odd style - the author has assembled quotes from those involved so that if a particular issue is covered one gets the POV of maybe 2-3-4 people involved in the event. And I assume these are pretty much verbatim quotes. Which is good if one is interested in hearing how the subjects talk, idioms, syntax, how they make a point - which is very useful -- but it's not literature, it's not a single voice narrative. So I found it a little emotionally rootless. It's more of a reporting style. There are so many contributors. Though the author would orient the reader to the players and their hierarchy I kept forgetting who had done what and said what which was important in reading the subtext of their commentary. I was familiar with a number of the names so had a vague notion of what was going on at the time, but I really could get lost if I left the book a few days or weeks and tried to come back to it. But all this said, it's a treasure trove of eye openers for anyone who has or aspires to have a big shot agent looking out for their career. It's about how the sausage is made.

If you like the "business" end of show business, this is the book for you. Miller is an excellent writer and Powerhouse is full of great stories, giving you a peek into the entertainment world and -- for me -- many reasons I'm glad not to be a part of it. The creation, evolution, and growth pains of CAA are told through its many voices, the owners, the workers, and the clientele. Miller's style is very different and may be jarring to some readers. I would advise getting used to it, as you are in for a fun ride here. All the complaints here on Amazon relate to his essentially quoting verbatim his interviews with the book's characters. It's really a massive interview, so one needs to settle down into that literary formula. You'll hear about Hollywood's glad-handling and backstabbing. I found myself laughing out loud at parts (an agent guarantees his client makes a flight to Paris by calling in a bomb threat to delay take-off. Stuff like that you can't make up). Buy and enjoy!

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Powerhouse: The Untold Story of Hollywood's Creative Artists Agency, by James Andrew Miller PDF